Nandamuri Balakrishna’s much-awaited action entertainer Akhanda 2 is in the final phase of production. Sources close to the team have confirmed that over 90% of the shoot is already complete. With just one major song sequence left, the final leg of filming is scheduled to be wrapped up by the first week of August in Hyderabad. The film is now on track to meet its September 25 release date, just in time for the Dussehra festive season.
According to insiders, this final song will be one of the visual highlights of the film. Described as a grand celebration sequence, it has been designed to reflect Balakrishna’s larger-than-life screen presence and mass appeal. A choreographer working on the film shared that elaborate sets, advanced camera work, and energetic moves are being planned to make the song a standout moment in the movie.
Balakrishna, known for his dynamic on-screen charisma, is reportedly putting in serious effort during dance rehearsals. A crew member remarked, “Balakrishna sir’s energy is unmatched. He’s rehearsing intensely, and fans can expect fireworks in this song. It’s going to land with impact.”
Directed by Boyapati Srinu, Akhanda 2 builds on the legacy of its blockbuster predecessor. The sequel promises grander visuals, elevated action set-pieces, and a deeper emotional arc. A source from the direction team mentioned, “Boyapati has crafted action sequences that are visually spectacular and layered with spiritual depth. Balakrishna’s role is more intense and emotionally charged this time.”
Adding to the anticipation is the musical score by Thaman S, whose background music was a major strength of the first film. Sources say the soundtrack for Akhanda 2 includes a special promotional song expected to go viral upon release. With everything aligning perfectly from shoot completion to star power, music, and festival timing Akhanda 2 is shaping up to be one of the biggest Telugu releases of 2025. All eyes are now on the final Hyderabad schedule and the build-up to the film’s grand release on September 25.
