Mohit Malik and Rasika Dugal have shared how working with an intimacy coordinator helped them approach an intimate scene in Mirzapur: The Movie. The actors described a structured process that established boundaries, prioritised consent and allowed them to concentrate on their performances.

For Mohit, the sequence marked his first experience filming an intimate scene. He recalled feeling nervous before the shoot and credited Rasika with helping him feel at ease. Intimacy coordinator Ankita Poddar also guided their preparation, ensuring that both performers understood what the scene involved and could express their comfort levels. Their account highlights the preparation behind such sequences, where clear communication is as important as the action captured on camera.

Ankita Poddar Helped Establish Clear Boundaries

Mohit explained that the actors discussed where they were comfortable being touched and which actions they wanted to avoid. The exercise gave both performers an opportunity to communicate limits before filming began.

Permission remained part of the process during the shoot. Rather than leaving the actors to negotiate the scene on their own, Poddar provided guidance that helped turn those discussions into an agreed approach.

Rasika described the preparation as a skilled workshop. She said this structure made the sequence a professional exercise, reducing the need to rely on the actors’ personal rapport to resolve questions about physical contact. The process also helped clarify how the performers’ boundaries could be respected while meeting the scene’s creative requirements.

Rasika Dugal Says Preparation Supported the Acting

For Rasika, having those details addressed in advance freed the actors to focus on the emotional demands of their characters. Questions about each performer’s comfort and the director’s expectations had already been discussed.

Her comments underline how an intimacy coordinator can support a performance by reducing uncertainty. When movements and boundaries are understood, actors can give more attention to expression, timing and the relationship being portrayed.

Mohit similarly praised the support he received during an unfamiliar experience. He said filmmakers should make intimacy coordinators a standard part of productions involving such scenes, instead of expecting actors to work out the details themselves.

Mohit Discusses Aditi Malik’s Response

Mohit also spoke about discussing the sequence with his wife, Aditi Malik. He said he explained the scenes to her beforehand and checked how she felt after they watched the film.

According to his account, Aditi understood the sequence as part of his character’s journey and supported its place in the story. The conversation also touched on questions about spouses’ reactions that are often directed at married women performing intimate scenes.

Through their experiences on Mirzapur: The Movie, Mohit and Rasika emphasised the value of clear boundaries and professional preparation. Their comments place consent at the centre of the filmmaking process while showing how that preparation helps actors do their work.