Kara follows Karasaaami (Dhanush), a seasoned robber planning one final heist before settling into a peaceful life. He dreams of marrying Selli and starting a small hotel business. However, circumstances force him back to his village, where his father’s struggles drag him into a deeper conflict. As financial pressure mounts due to systemic exploitation, Kara is pushed back into crime. Meanwhile, DSP Bharathan is on his trail, trying to piece together clues. The story unfolds as a mix of heist tension and emotional drama, questioning whether Kara can escape his past or be consumed by it.
Directed by Vignesh Raja, the film blends a heist thriller with a father-son emotional arc. It attempts to explore economic struggles and systemic injustice while maintaining suspense through robbery sequences. Though engaging in parts, it struggles to balance its dual narrative.
Dhanush delivers a strong and controlled performance, carrying the film effectively.
Suraj Venjaramoodu impresses as the determined police officer.
Mamitha Baiju has limited screen presence and impact.
Supporting actors like K. S. Ravikumar add depth but are underutilized.
The cinematography supports the gritty tone of the film. The robbery sequences are crafted with precision and attention to detail, making them the strongest technical aspect.
The background score enhances tension in heist scenes but feels overused in emotional moments, compensating for weaker writing.
The film suffers from pacing issues, especially in the second half where the narrative feels rushed. The transition between emotional drama and thriller elements lacks smoothness.
The film attempts to highlight systemic exploitation through predatory banking systems, making it socially relevant. However, it falls into a common trap—good ideas without tight execution. The heist portions work because they are grounded and detailed, but the emotional core feels forced. The film also sends mixed signals by justifying crime through moral reasoning, which weakens its overall message. It had the potential to be a powerful social thriller but settles for being partially effective.
18 Pages, a love drama featuring Nikhil and Anupama Parameswaran in the lead roles and is directed by Palnati Surya Pratap. Here’s our review of the film. Story: Siddharth(Nikhil) is dealing with love failure. One day, he comes across a diary that belongs to Anupama. This eventually leads to the couple falling in love with each other without either of them realizing what’s happening. How does the diary bring together the couple?
Read More →
Young actors Santosh Sobhan and Priya Bhavani Shankar play the lead roles in Kalyanam Kamaneeyam which hit the theaters today. The film is billed to be a youthful family drama. Story: Love blossoms into marriage for Siva(Santosh) and Sruthi(Priya Bhavani Shankar) but Siva is jobless and his efforts at trying to find a job go unnoticed by Sruthi, which leads to complications in their relationship. How did the actors perform?
Read More →
Dhanush’s maiden Telugu-Tamil bilingual Sir released in theaters today and here’s our review of the Venky Atluri directorial. Story: Balu(Dhanush) is a lecturer at a private educational institution who revolts against the privatisation of the education sector in India. He also rebels against the class disparity in primary education. This naturally puts him against the bigwigs in the field. How does Balu fight for his cause?
Read More →
Plot Ek Chatur Naar revolves around Mamta (Divya Khosla Kumar), a widowed mother burdened with debts and raising her son with her eccentric mother-in-law. When she steals the phone of Abhishek Verma (Neil Nitin Mukesh), a corrupt man with political ambitions, she discovers incriminating secrets and a sex tape. What starts as desperation turns into an elaborate extortion plan, sparking a deadly game of
Read More →
Matti Kusthi, a Telugu dubbed film featuring Vishnu Vishal and Aishwarya Lekshmi in the lead roles hit the theaters today. Here's our review of the film. Story: Veera (Vishnu) is a heavy-headed lad from a rural household. His parents get him married to Keerthy(Aishwarya) who had unfulfilled dreams of becoming a professional boxer. How does the couple cope with their contrasting mindsets? How did the actors perform?
Read More →
Plot Happy Smith-Paisley, aka Happy Patel, is an unconventional spy who loves ballet, cooking, and openly embraces his “alpha male” insecurities. Unlike traditional Bollywood spies, Happy fails most missions and survives largely through luck, innocence, and sincerity. As he navigates espionage, romance, gangsters, and emotional rediscovery of his roots, Happy Patel becomes a satire on how Indian cinema views heroism. Overview Happy Patel: Khatarnak Jasoos is a genre-bending madcap entertainer th
Read More →
Superstar Rajinikanth has come up with a new theatrical outing, Jailer which released in theaters on the 10th of August. The film is an action thriller with a comical touch. Let us see what the film has to offer. Story: Tiger Muthuvel Pandiyan is a soft-natured person but he has a stellar past. He gets enraged after the murder of his son. How does he deal with this adverse situation? Can he track and punish the culprits? How did the actors per
Read More →
Overview Empuraan, the highly anticipated sequel to Lucifer, picks up with political upheaval in Kerala, where Chief Minister Jathin Ramdas (Tovino Thomas) forms a controversial new alliance, triggering resistance from his sister Priyadarshini (Manju Warrier). Amid the chaos, Stephen Nedumpally aka Khureshi Ab’raam (Mohanlal) returns to restore balance while facing a global thre
Read More →
Plot: Arjun S/o Vyjayanthi follows the story of Arjun Vishwanath (Kalyan Ram), an aspiring IPS officer and son of a highly respected and upright police officer, Vyjayanthi (Vijayashanti). Despite securing top ranks in the IPS exam, Arjun chooses the path of violence to bring justice, which puts him at odds with his mother. The film explores the reasons behind Arjun’s choice, the rift between mother and son, and the involvement of a vengeful antagonist
Read More →
Plot Shatak chronicles the journey of Dr Keshav Baliram Hedgewar, the founder of Rashtriya Swayamsevak Sangh (RSS), and his vision to create a socio-cultural movement during British-ruled India. The film traces Hedgewar’s efforts to instill discipline, nationalism, and unity among citizens, and later follows the leadership transition to Madhav Sadashivrao Golwalkar. It covers key historical phases including India’s independence, wars, and political turmoil, highlighting the challenges faced by R
Read More →
