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Exclusive Interview: Bellamkonda Sai Sreenivas On Kishkindhapuri, A Horror Mystery Like Never Before

Exclusive Interview: Bellamkonda Sai Sreenivas On Kishkindhapuri, A Horror Mystery Like Never Before

How does it feel to do your first horror film?
I’ve mostly done mass commercial entertainers so far, but personally I love different genres like horror. When Kaushik narrated Kishkindhapuri, I was immediately drawn to it. It’s a story that gives audiences a fresh cinematic experience. We recently watched it in theaters for the first time and it was mind-blowing, especially the sound design by Radha Krishna, who worked on Salaar, Animal, and Kantara. This genre allowed us to present a horror mystery in a technically brilliant way.

You had great applause for Rakshasudu. How is this different?
Yes, Rakshasudu got strong appreciation, even from women audiences. But Kishkindhapuri is on another level because it blends horror and mystery in an organic way. It’s not just jump scares—it’s a gripping story with an edge-of-the-seat experience.

Tell us about your producer Sahu Garapati.
Usually, horror films face budget limitations, but Sahu garu ensured no compromise was made. From graphics to technical presentation, he gave us everything the film needed. This makes me proud to be part of this project.

How about the action sequences?
The action in this film is rooted in the story, not forced. Combined with sound and visuals, it will give audiences a thrilling experience.

Your co-star Anupama Parameswaran’s performance?
Anupama has done a very challenging role. It’s quite different from what she’s done before, and her performance will surprise audiences.

Horror movies are best enjoyed in theaters. Do you agree?
Absolutely! Watching a serious horror film like this with a packed audience is an experience at another level. Even the censor board said it’s been a long time since they watched such a serious horror film.

A vintage radio set was used in the movie. Can you tell us about it?
Yes, we designed a special “Suvarnamaya Radio Station” set for the film. Some sequences were shot in an actual abandoned house that we later helped renovate into a new building.

What do you look for before signing a film?
For me, content comes first. I’m driven by the desire to try new things and prove myself as an actor. Every new character brings fresh energy, and I enjoy that process.

Upcoming projects?
I’ve completed shooting Tyson Naidu, which is in post-production. Haindava is in its final stages; the shoot was delayed due to strikes. I also have a new-age thriller with Polimera director Anil coming up. All are very different films.

All the best,
Thank you

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