Why did you choose Vijay Kanakamedala as the director for Bhairava?
After doing several stylish and commercial films, I wanted to connect with the mass audience emotionally. I was looking for a rural, rooted story. This script came at the right time, and I felt Vijay sir could present it with the right sensibilities. Though I’ve done remakes before, Bhairava should be seen as a straight Telugu film—it’s adapted perfectly for our audience.

What can you tell us about Manchu Manoj and Nara Rohith’s roles?
Both play very important characters. Rohith garu immediately agreed when we approached him. We later felt Manoj garu was perfect for another pivotal role and approached him after seeing him in the Mirai poster. They were both excited and matched the story’s depth perfectly.

How was working with Atithi Shankar?
She’s energetic, down-to-earth, and very talented. She’s not just a good actress, but also a great singer and dancer. She blended with the team seamlessly.

There’s a striking exorcism scene in the trailer. What’s the story behind it?
That’s one of my favorite parts of the film. It’s integrated very powerfully into the storyline and gives a strong emotional impact. I believe audiences will love the surprise.

What’s unique about Bhairava’s treatment?
Even if you've watched the Tamil version of this story, this adaptation is very fresh. We’ve retained only the soul and reshaped everything else to suit the Telugu audience.

Has your father influenced your story selection?
I choose my scripts, but I always ask my father for his opinion. His judgment is sharp. I like films that offer a solid theatrical experience. I grew up watching such movies and strive to deliver that same impact.

Can fans expect your signature dance moves?
Definitely! There are two dance numbers. Gichamakke is a high-energy festival vibe song. Fans will enjoy the choreography.

What was it like working with music director Sri Charan Pakala?
He’s delivered an incredible album. The background score is extraordinary, with a very fresh sound.

Tell us about the visuals and the cinematography.
Harika Vedant’s camera work is stunning. Viewers will get a rich visual experience throughout the movie.

Why the long gap between your films?
After finalizing Haindava, I was focused on that for nearly three years. During that phase, I came across Bhairava and Kishkindapuri, both of which excited me. Kishkindapuri is a completely new genre that offers a unique experience.

What’s your favorite genre among your films?
I enjoy every genre I work in. Each project is equally special to me.

Why is the title Bhairava chosen?
The protagonist worships Kalabhairava. The title is deeply connected to the story's essence.

Can you talk about the temple set in the film?
We’ve built a massive, realistic temple set. Full credit to art director Brahma Kadali for that.

Your thoughts on producer Radha Mohan?
He’s one of my favorite producers. He believed in me from the start. We wanted to work on 2-3 projects together, and finally, everything aligned perfectly with Bhairava.

Are you collaborating with director Puri Jagannadh soon?
We’ve met a couple of times. We’re definitely planning something.

You’ve chosen very different scripts lately. What’s your vision?
I want to explore varied genres. Whether it’s Bhairava, Tyson Naidu, Haindava, or Kishkindapuri, each one is crafted to offer audiences a completely new experience.

All the best
Thank you so much.