Bosco Martis: The way Helen ma'am grooves, she’s incredibly seductive, but the choreography makes it not uncomfortable at all. It’s beautifully executed and remains unmatched in its genre. It's a historic song in Bollywood no song can ever come close to it.
Caesar Gonsalves: The dance moves were not just about steps; it was about the way the music, camera work, and performances blended together. Helen took the male-dominated space of item numbers and completely owned it, making it something bigger than ever.
Caesar Gonsalves: It’s different because the performance is so beautifully done by Helen. Despite it being in the villain’s den, it doesn’t feel forced or out of place. The way it fits into the narrative is seamless.
Bosco Martis: My favorite is "Yeh Dosti". The camaraderie between Jai and Veeru is palpable, and even the simple moments, like the sidecar separating from the bike, tell you everything about their unbreakable bond. It's a true friendship anthem.
Caesar Gonsalves: "Yeh Dosti" is my favorite as well. It’s a joyful, fun, and heartwarming anthem. But it’s the way it transitions from happiness to heartbreak in the sad version that really makes it special.
Bosco Martis: It is one of the best examples of a perfect song in a film. It’s not just choreography; it tells a story and adds depth to the narrative. It’s a blend of everything music, dance, story, and performance. It’s a timeless piece.
Caesar Gonsalves: "Mehbooba Mehbooba" was revolutionary in its treatment. It was a turning point for item numbers in Bollywood. No other song before or after it has captured the same essence.
Bosco Martis: Sholay set the gold standard for storytelling and visuals. It’s a textbook for filmmakers. We keep aspiring to achieve the kind of impact it had. Every viewing makes you appreciate the film more, and that’s what makes it a true classic.
Caesar Gonsalves: Sholay is like vintage wine. You savor it with each viewing. It’s the ultimate inspiration for anyone in the industry. Ramesh Sippy’s vision, combined with stellar performances and music, created something that can never be replicated.
How do you feel about releasing Madarasi on September 5th as a director? I consider every film as my first film. I feel the same way about Madarasi. I am confident that this movie, with its different story, will impress everyone. What is the reason behind the title Madarasi? In
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The Goat Life has made a global roar, breaking records across territories and countries worldwide, with critics and audiences hailing the cinematic masterpiece alike! From superstar Prithviraj Sukumaran’s ‘career-best performance’ to National Award-winning director Blessy’s ‘best-ever yet’ film, The Goat Life has been immensely applauded and has taken the theatres by storm. The greatest-ever survival adventure film has been declared a blockbuster hit with a
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Did Nagin (1954) mark your entry into Hindi films? After AVM’s Bahar became a success in multiple languages, S Mukherjee sent director Nandlal Jaswantlal to sign me for Nagin. Its massive success led to many film offers from Bombay. What was it like shooting Nagin? Director Nandlal preferred close-ups and would instruct me to keep my eye
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Lavanya, can you tell us about your experience while filming Sathi Leelavathi? Lavanya Tripathi: Filming Sathi Leelavathi was an incredible experience. The most interesting part was that I found out I was pregnant while we were shooting. It wasn’t easy, but with the full support of the team, I was able to continue shooting without any issues. Despite some minor injuries, I managed to complete the shoot, and it turned out to be a wonderful experience. How did you manage filming while you were pre
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Listening to his songs feels like a friend is singing. He sings with such understanding of our emotions, as if he's touching our inner feelings. Authenticity in singing is his forte. As both a singer and a music director, he has secured a stable position in the hearts of listeners by leaving his own mark. Currently, he is composing music for the Telugu entertainment venture 'Aay'. The reputable production house GA2 Pictures banner is bringing the Nativity Fun Entertainer
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How did this project start after your debut film? After Chaavu Kaburu Challaga, I was set to do another film with Geetha Arts, but it was delayed. I narrated this story to producer Sahu Garapati, and he loved it. Later, Sai Sreenivas also listened and got excited. Since everyone connected with it, we started Kishkindhapuri. Why did you
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'Kalyanam Kamaneeyam' is this Sankranthi's feel-good and warm family drama involving a young married couple. UV Creations has produced the movie. Young hero Santosh Shoban is its male lead. Priya Bhavani Shankar, one of the most talented actors in contemporary Tamil cinema, is making her Tollywood debut with this film. She is excited as much as she is anxious about the film's release tomorrow (January 14). In this interview, the 'Thiru' actor talks about the
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What inspired you to remake the original 'Garudan' as Bhairavam in Telugu? I loved the commercial strength of the original story and the opportunity to work with three lead actors. We’ve kept the core emotions intact but presented them in my style with all the commercial elements required for Telugu audiences.
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Many actresses have spoken about pay disparity. What’s your take on it? Priyamani: Yes, it’s true that I’ve often been paid less than my male co-stars. But that doesn’t bother me anymore. I know my market value and what I bring to the table. I will only charge what I believe I deserve, nothing more, nothing less. So, do you see pay as a reflection of market demand? Priyamani: Absolutely. You ask for what you’re worth, and you’ll get it. This is my personal experience rather than a complaint. It’
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Phalana Abbayi Phalana Ammayi (PAPA) is Srinivas Avasarala’s film with his trademark comedy, emotion, and classical touches. The cute pairing of Naga Shaurya and Malavika Nair, and their sparkling chemistry shall be the highlight of the film. The movie is produced by People Media Factory in collaboration with Dasari Productions. With Naga Shaurya, Malvika Nair in the lead roles, director Srinivas Avasarala carved it to perfection. The music is composed by Kalyani Malik a
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